Bright, clean stick definition. Loud bell. Dark overtones. Unlathed top and bottom. Brilliant finish.

Versatile all-around Ride with good stick definition, clear bell and warm undertone. Unlathed underside. Traditional finish top, Brilliant finish underside

Beautifully mellow, dry sound. Darker than regular K Flat Top Ride but significantly drier, creating a cymbal with a lot of character and a very interesting sound.

Excellent stick definition with dry, full-bodied stick sound. Dark, warm undertones with trashy crash qualities for accents.

Ultra-dry stick sound. Very little but dry undertones. Unlathed and unpolished top and bottom.

Combines a warm, dry stick sound, with a lush, dark, dry, warm and full-bodied crash sound, ideal for accents. Provides both these sought-after qualities in a single, unlathed and extra-hammered but thin cymbal design. Ideal for electric and acoustic jazz.

K Custom Dry Complex Medium Thin Ride

A brand new Ride created with Zildjian’s radical hammering and lathing techniques. This unique cymbal maintains the dryness of the crash while offering a cutting stick sound. The new 21” size is ideal for Jazz and modern electronic music.

Designed with Peter Erskine, the all-important 2nd Ride. With a clear, warm Ride sound and the superb textural qualities of a 3-Rivet cluster.

Designed with Terri Lyne Carrington, speaks with great definition and enough tone to balance its dryness. Reminiscent of old Ks or Constantinoples, it is at home in electric or acoustic situations.

Designed with Steve Gadd, replicating his personal Ride. More controlled sound that is lower in pitch but with enough spread to ride on top of the music. Unlathed with a brilliant finish.